Saturday, July 18, 2015

Dyers in Their Studios Profile - Lynette of DragynKnyts

This month, I am pleased to introduce Lynette Connors of DragynKnits, the yarn dyer for our second Ficstitches Yarns Crochet Kit Club (on sale all this month!). I believe I first met Lynette when she was working at Wooly Wag Tails Yarns, the closest LYS to my house. I always hoped she would be there when I stopped by the shop, as I knew she was one of the few employees who also crocheted, and was always interested in what I was working on.

Last year, when another great LYS was opening up, she contacted me about teaching crochet classes at Blizzard Yarn and Fibers, in Vancouver. I was glad to start teaching again at a yarn store on this side of the river (rather than going over to Portland where all the other LYSs are), and have continued teaching there. Meanwhile, Lynette has moved on to focus more fully on her dyeing, and we are excited to be a part of that!
Yarn Choices for Ficstitches Yarn Kit #2
·         How long have you been dyeing yarn?
I started dabbling in yarn dyeing about 6 or 7 years ago, just playing with koolaid on cheap yarn. It was just a fun project back then. Now, I’ve been dyeing seriously with acid dyes for about a year. I’ve been seriously selling fiber for about 9 months and yarn for about 5 months.
·         How did you get started dyeing?
When I started spinning and learning how yarn was made, and learning how to process fiber, I also started selling my carded mini art batts at crafts shows along with finished knitted goods. I found that every time people perused my little art batts at an event, their first question was, “Did you dye all the colors yourself?” It seemed like they felt it wasn’t as valuable if I bought pre dyed fiber and blended it. So I started experimenting with dyeing on fiber, and people started buying my braids and batts for spinning. Later I decided to add yarn when non spinners were jealous of the spinners’ pretty braids of top and were asking me to do yarn too.
·         What is your background?
I have an associates degree in pre-school education, but mostly I’ve been a stay at home mom, homeschooling my kids.
However, over the last seven years, I have either worked part time, helped in (for events, covering for absences, etc.), or taught knitting, crochet, rigid heddle weaving and spinning in four yarn shops. In some shops, I either designed, or managed, or both the class programs.
I design simple knitting patterns, both published and self-published for sale. Also I, along with a business partner, published Hooks & Needles Magazine (now Hooks & Needles Patternbook), a knitting and crochet magazine publication, for a year.
·         What makes your yarn special or unique?  
I create color combinations that appeal to me, and I can be a little weird. One of the reasons for dyeing is that I almost never found the colors I really wanted when shopping for yarns. The commercial dyers, and some indie dyers, follow the Pantone colors of the year to a great extent, which meant I was just seeing the same colors all around anytime I was shopping. I also really like to break the color wheel “rules”. Or tweak them a bit.
·         What is something interesting about your dying process that non-dyers might not know?
Non dyers might not know that yarns are designed, and that yarn dyeing is both art and science (and math!).
There are reasons that sock yarn is called sock yarn, and it isn’t just because it’s skinny. The type of fiber/s, the number of plies, the amount of twist, these are all conscious choices made by the yarn designer.
As an Indie dyer, I need to understand a yarn’s best, and most common use, and also its characteristics, before I design color combinations and choose dyes and dye methods for it. The same color dye on a high twist merino with nylon is going to look different on a lofty singles yarn made from polwarth wool. And, stripes look great on socks, but the same dye method on heavier yarn would look totally different when making a sweater. Also, making repeatable color ways means mixing dyes using math and science. It’s like a chemistry lab in the dye studio. It’s not just sprinkling dye powder into a pot of simmering yarn. We have to measure, consider pH levels, use chemicals to set or distribute dye, use heat at certain temperatures, etc.
·         How do you choose your colors and name your yarns?
Usually I’ll have an idea forming in my head sparked by some inspiration, and then go search it on Pinterest, or google images, just browsing images. Or sometimes I’ll look up definitions of inspiration words, or look them up in a thesaurus, and just soak up all the information and images. Then I’ll take my colored pencils and play with some random shading to see what sticks, and what goes together.
My yarns are named after some feature, aspect, folklore or fantasy of dragons and dragon lore, particularly Celtic dragons. Color names usually reflect the inspiration for the color or color line.
·         Where do you find inspiration?
Inspiration can be found anywhere, and everywhere. Just use all your senses. I find it in nature, but also in music and other art, scents, foods, even on cereal boxes, in room designs, wedding color schemes, flower shop bouquets and even in fancy public restrooms. It can spark from dreams, or emotions, current events, etc.

·         How many colorways do you have?
Right now, about 30 for yarn and 16 or so for fiber, but I haven’t been selling very long. Many more are in planning and testing stages.
·         Do you create seasonal or special order colors?
Yes, I have done some and have plans for more.
·         How many and what types of bases do you use?
Fingering, 100% SW Merino, 2 ply
Sock, 80/20 SW Merino/Nylon, 3 ply, high twist
DK, 100% SW Merino, 3 ply
Worsted, 100% SW Merino, 4 ply
Worsted, 100% Targhee, 3 ply, very springy/lofty
Falkland, combed top
Corriedale Cross, combed top
Masham, combed top, grey base
Shetland, combed top, brown base
Cheviot, combed top
Mohair, locks
Silk, hankies
·         Where can we find your yarn? LYSs and online?
Currently, my yarn and fiber can be found at Pearl Fiber Arts in Portland, OR, Blizzard Yarn and Fiber in Vancouver, WA and Urban Wolves Fiber Arts in Vancouver, WA.
I will be starting to vend at fiber festivals, starting with Columbia Gorge Fiber Festival in The Dalles, OR on November 6-8, 2015, and I’m hoping to add an online storefront to my website before Thanksgiving 2015. I also hope to expand into additional LYS’s in the Pacific Northwest soon.
·         What are your favorite colors?
I don’t think I can pick a favorite color anymore. I love color as a whole, and especially I love putting colors together and seeing how they interact with each other. Every once in a while, I notice that I seem to have a color “mood”. Last year I went through a green mood, and then a burnt orange mood, and right now I seem to be stuck on “peacock” colors.
·         Favorite fibers?
I love Jacob and Shetland wools to spin, Masham to dye and spin, and merino yarn to knit and weave.
·         Do you crochet, knit, or spin? What came first?
Crochet, knit, spin, weave, and they happened in that order. These days, I’d rather spin than anything, if I have time for recreational fiber arts. Most of my knitting and weaving is samples for my yarn, as well as all my knitting pattern design. And of course, I spend the bulk of my fiber arts time dyeing.

·         Website?
·         Ravelry Group? No group yet, Ravelry name: DragynKnyts
·         Facebook?
·         Twitter? DragynKnyts, but I don’t currently attend to twitter. My facebook is set up to auto tweet.
·         Pinterest? I have many inspiration boards on Pinterest, for dyeing color inspiration and for knitting design inspiration, as well as other fiber related boards.

Tuesday, July 7, 2015

Ailee's Wedding Shawl: Design for Ficstitches Yarns Kit

Last week we revealed the various elements of our very first Ficstitches Yarns Kit Club, which we shipped out last month. So I finally get to share my contribution to the Kits: Ailee's Wedding Shawl.

This project represents a lot of firsts for me. My first time:

  • Taking inspiration from a character & setting in a story
  • Designing with Irish Roses 
  • Creating a design for a Kit Club
  • Drawing a stitch diagram in the round

I generally enjoy the challenge of working within just one skein. But I quickly realized that I needed more yarn for the ideas we had in mind to incorporate some of the types of crochet we found while researching what may have existed in the time period of our story. There just isn't a lot of crochet history as far back as colonial times, and what there is are mostly theories.

So, after two other nearly completed shawl designs and our writer making some changes to the story, I finally came up with the idea for this version. Although the type of crocheted lace known as "Irish Crochet" was developed later, I decided to start with a large Irish Rose at the center and work out from there. 

Our main character, Ailee Donaghue, is traveling to the New World from her homeland of Ireland, so I liked the idea of a modernized crochet interpretation of her shawl that is described in the story. Traditional Irish Crochet typically starts with a variety of separate flower and leaf motifs, all connected later with a network of chain loops. However, Ailee's Wedding Shawl begins with just a few Roses, then works the leaves directly into the lace, joining the flower motifs as you go.

I spent over a week experimenting with the stitches to get the effect I wanted. I poured through my stack of stitch dictionaries, combining a variety of stitch patterns in different ways until I was satisfied. I was certainly grateful that the Lilt Sock Yarn I used, from Black Trillium Fibres, was no worse for wear after so many times stitching and frogging.

When I'm designing something new, I tend to start with these dictionaries of stitch patterns, then inevitably tweak them to fit my ideas. In this case, I took my adjusted version of an Irish Rose pattern from one book, inserted it into the center of a leafy doily pattern from one of my Japanese diagram books, then changed the stitches between the leaves to chain loops, and worked out how to cut off the top of the doily to form a triangle. Finally, I looked to yet another book for edging ideas, trying several variations before I was satisfied! 

A long process, but I ended up with at least two other nearly completed designs that were developed along the way. Now that we have allowed for more yarn for future Ficstitches Yarns Kits, we can use one of my original shawl designs for one of next year's kits! Now that the kits have been shipped, the pattern is available on Ravelry, and we just started an online Crochet-Along in our Ficstitches Yarns Group for anyone working on it over the next couple of months. And if you are in the Vancouver/Portland area, we will be doing a Live CAL at Blizzard Yarn and Fiber starting July 31st. Join the fun!
"Mrs. Vance held up the shawl. It was a triangle of finely woven ivory linen with cheyne lace in pale thread worked around the edges and three large cheyne lace flowers attached at the mid-points. . . . All lace and frail linen, meant for show and splendor.”
Excerpt from Unraveling: The New World, Part One by C. Jane Reid
All Photos Copyright Guy Holtzman (except book cover)

Monday, July 6, 2015

Fiber Fiction and Ficstitches Yarns

Or How My Obsession With Fiber Fiction Led To 
A Whole New Kind Of Crochet Kit Club!

Ever since I began designing crochet, everything in my life became about yarn (and my kids). Even the books I read for pleasure! Although there is only one fictional series specifically about Crochet, there are plenty of "Knit Fic" series. If you are into mysteries or romance there are several series out there for you. I found that, although I don't knit much, I enjoyed those series just as much, as they describe the fibers, yarns, and stitches, and sometimes give me ideas for my own projects. I even did a series of blog posts back in 2013 reviewing some of my favorites.

But this lack of crochet fiction seems to be a gap that is begging to be filled. So about the same time I discovered this Fiber Fiction Genre, I started dropping (not so subtle) hints in the ear of my good friend and neighbor, Carissa (a.k.a. C. Jane Reid). When we first met, she told me that she was a writer of historical fiction with some aspects of the paranormal, but she was not an "author" yet because she had not published a book yet.

When Monica and I started talking about starting a Crochet Kit Club with my patterns and her hooks, Carissa offered to help us. She LOVED the idea of a crochet kit club, and we knew we would need  her awesome organizational skills to manage and maintain a big project like this. But I wanted her to be able to contribute to the kit in some way, to really be a part of the team.

Some time last year she had told me about an idea she had for a contemporary crochet fiction story, and we brainstormed all sorts of directions the story (or possible series) could take. Inspiration struck when I asked Carissa to contribute a short story to each kit that could tie in to the pattern in some way.

We chatted more about the world she wanted to build for her contemporary crochet fiction stories, and came up with a series of short story ideas that could build the history of that world, to go with each kit. But we quickly realized that she is not so much a short story writer as a novel writer, when the "short story" for the first kit, decided to be a Novel.

We did have to do a little shuffling, but we made that story work for the first three kit clubs in 2015, and I did not even have to change the patterns I had planned very much to still fit the story. And we are having so much fun fitting the patterns and gifts for the Kit Club into the story! Next year we are again planning a series of short stories for each kit... but I am not counting on it, until she has actually completed the stories. The bonus of her writing longer stories is that we already have story ideas through 2017, moving from colonial times throughout various periods of history, which could go even longer if any more characters decide they need more room to tell their stories.

The best part of this process is helping my friend become a "published author". Carissa helped me publish my first book by editing it for me. I remember when we got the first printed copies she told me, "Your a published author now!" So, this year, instead of writing another book myself, I got to help one of my best friends be able to say the same thing!

Join us in our Ficstitches Yarns Ravelry Group this Friday, July 10th, for a Live Book Club Chat with author C. Jane Reid!

If you did not get our first kit, and want to check out C. Jane Reid's first story, you can buy the print copy or ebook. Our second Ficstitches Yarns Crochet Kit Club is available for Preorder this month so you can be among the first to get Part 2 of the Story.

Monday, June 22, 2015

Crafty Kids Review: Star Wars Thumb Doodles from Klutz

Two Thumbs Up for Star Wars Thumb Doodles!
"If you get me a new book like this every week or so, 
you will keep me busy for the whole summer!"
Just 2 days after the start of Summer Break, I had to leave for a fiber festival. I picked up a couple of Klutz Activity Books for my kids to do while I was out of town for the long weekend. I chose the Klutz Star Wars Thumb Doodles Book Kit for my 9 year old son who loves paper crafts of all kinds. I gave him the kit before I headed out last week, and it was a hit!

The first thing Mr. G said when I arrived home after four days, "I made everything in the Star Wars book already! I want all the other Star Wars books! If you get me a new book like this every week or so, you will keep me busy for the whole summer...." The next day he admitted, "Well, this one might keep me entertained for a few weeks. I have to cover the whole box! But I REALLY want the Star Wars Folded Flyers one, so I can put those on the top the box!"

Good thing he has a birthday coming up in a few weeks! I love that Klutz has so many gender neutral craft kits. I am always on the hunt for craft kits that aren't all pink for my crafty son and Klutz has come out with so many great ones!

Mr. G's Thumb Doodle Tips:
Ewok Village

  • Read the instructions at the beginning to see the different types of finger prints used.
  • Make the characters on separate pieces of paper so you can cut them out and move them around and make scenes.
  • It is easier when they are not on the page in the book. 
  • If you mess up, you can just keep making it until you get them right. 
  • Once you've filled the book pages, you can make bigger scenes on cardboard or big sheets of paper.
  • Copy the pictures in the book to make a bigger background.
  • Used tacks to attach your thumb doodles, or use glue dots (removable ones will let you to move the characters around).
"This weekend I sat out on the front porch
and made these for hours and hours."
"I made 25 Clones! I accidentally cut the 
head off one, so I made it part of the battle."
"I can't believe I could make all these things with just 
ink pads, a 2-color pencil, and a black pen!"

Wednesday, April 22, 2015

What's New Wednesday: Twisted Cable Sundress

Have you seen my newest design in Crochet! Magazine's Spring 2015 issue? The Twisted Cable Sundress was originally designed for my daughter when she was just 2 years old, I am thrilled to see this pattern published, and in the long color-changing yarn from Lang that inspired the design! It was a long journey to see this one in print...

In the late summer of 2012, my friend Katherine and I decided we needed a Crafty Retreat. Our youngest kids were finally old enough to leave with dad for a few days, and she was expecting baby #3 just the next month. We looked around at options along the coast or perhaps an isolated cabin in the woods, both being rather convenient options living where we do. But she was going to be on-call for her midwifery business, so we could not go too far out of town.

So, we spent nearly a week staying in a hostel on Alberta St., right in the heart of Portland. We each brought along more projects than we would have time for, but wanted to be free to work on whatever struck our fancy. We brought yarn, hand-sewing projects, needlefelting supplies, fresh lavender to make wands, and even my spinning wheel. And yet we took many breaks to wander up and down Alberta to check out the craft supply store across the street, and a couple of nearby yarn shops.

We spent one afternoon at nearby Twisted, where I have taught a few crochet classes. I allowed myself to wander the store with the express purpose of finding a ball of yarn that inspired me to create something new. I was immediately drawn to this Lang Yarns Sol Degrade, cotton tape yarn, in my favorite shades of blues and greens.

I had recently finished my first articles and designs to be published in magazines, and was eager to design something new. I bought the first ball of yarn and sat down in the shop to play with it. I had been exploring the options of 'edgeless cables', and thought they would make a perfect neckline. The edgeless cables lend themselves perfectly to the curve of a neckline. I wanted to come up with something that would show off the long color changes of the yarn.

A little girl's sheath dress was perfect! And I had the perfect model (though you can see my daughter was grumpy on the day we got to take pics at the beach). I found that the thickness of the cotton tape made stitch increases more noticeable, and did not like the look for the body of the dress. Instead, I used gradually increasing hook size to create a gentle bell-shape, with occasional increases in the bottom section for added flare.

When Crochet! wanted to publish the design in this year's summer issue, I looked for a lighter weight long color changing yarn, that would not be quite as thick as the Sol Degrade. But in the end, we decided to stick with the original yarn that inspired the design. Afterall, the thicker 100% cotton yarn makes the perfect coverup to through on over a wet swimsuit!

Now I have the magazine sample back, in a larger size that will be perfect for the beach this summer!

Tuesday, April 14, 2015

Flock Together Shawl - New Class at Blizzard!

Next Saturday, we will be starting a brand new class at Blizzard Yarn and Fiber, in Vancouver, WA. This shawl was specially designed to work with the Birds of a Feather yarn from local dyer Alexandra's Crafts, which features 5 different weights and fibers of yarn that have been all dyed together, so they naturally coordinate.
Bottom Colorway was used in Sample
Irina at Blizzard has ordered a variety of colorways to choose from in this fun, unusual Art Yarn. Each hank includes partial skeins of 2 worsted weight yarns, 2 chunky/bulky weight yarns, and a full 400 yard skein of sport weight, to equal 700-900 yards of gorgeous color-coordinated yarns.
Check out some of the Craftwich Creations Hooks now sold at Blizzard!
I first saw Birds of a Feather when I met Alexandra at Pearl Fiber Arts during the Rose City Yarn Crawl a few years ago. I was intrigued by this collection of various yarns, and the challenge of developing a design that would work within a kit like this. I picked up my first hank of 'Birds' at Oregon Flock and Fiber the following year, and developed the Flock Together Shawl design last year. However, the shawl pattern will not be available for purchase until AFTER the class at Blizzard. So, you have to sign up for the class to be the first to get it!
My goal was to design a shawl that used basic crochet stitches and increases with the same size crochet hook throughout. Because each kit includes a somewhat different quantity of yarn, there are tips for making adjustments if you begin to run out of one type of yarn before completing the pattern. The result is a large, cozy, five-pointed shawl with solid stripes of the thicker yarns alternated with almost lacy sections of the finer weight yarns.
Call Blizzard to sign up for this awesome class today!
You can check out all the details below or on their website:

Teacher: Laurinda Reddig Dates/Times: Saturdays, April 18th and 25th, 1pm-3pm Price: $50 Class description: Practice basic crochet stitches with various weights and textures of yarns as you work this five-pointed shawl. Learn how much to increase on each round to create a flat fabric with various heights of stitches from single crochets to treble crochets. The Flock Together Shawl was designed especially to use Alexandra’s Crafts Birds of a Feather yarn, which consists of five different yarns all dyed together in the same colorway. The different fibers of the yarn absorb the dye differently, giving different shades that all work together. Level of difficulty: Beginning to Intermediate Skills students must already know: Basic crochet skills recommended (ch, sc, dc) Pattern/Source: Provided in class Supplies needed: Alexandra’s Crafts Birds of a Feather Yarn, One Hank Size K hook or size to get gauge, stitch Markers

Thursday, March 26, 2015

Dyers In Their Studios: Melanie of BlackTrillium Fibres

Rosaline Shawl in Lilt
This month, it is my pleasure to introduce Melanie Dilworth, the dyer behind Black Trillium Fibres, who will be providing the yarn for our very first Ficstitches Yarns Kit Club! I was introduced to Melanie's work when I was designing the Mystery Crochet-Along Shawl for the 2014 Rose City Yarn Crawl. They wanted us to use yarn from a local dyer for the sample, and I was really drawn to the rich tones of Black Trillium's colorways. I used two shades of her Lilt sock, a merino and mulberry silk blend, and loved it so much are using it for our first Kit Club kit.

During the yarn crawl this year, I connected with Melanie, and she invited us back to see her dye studio. We got to chat with her while she was working, taking recently dyed gradient skeins out of the oven, then hanging them to dry. All that before they are separated into smaller skeins for her gradient kits. So much work goes into one skein of hand-dyed yarn, I will let Melanie tell you all about it, in her own words....

I’ve been dyeing more or less formally since August of 2008, but really started to get a sense of myself as a dyer later, in November 2008. A group of us started dyeing together for fun with a little bit of yarn from our stashes as well as some undyed yarn we bought from Louet. Most everyone was dyeing Louet Gems fingering weight at that time, and a number of other Oregon folks were starting up dyeing operations around the same time. It seemed like a good idea, so we took it outside in the warm Oregon early fall weather and made a family thing of it. I was the only one who really wanted to keep dyeing yarn, so we split things up and I officially took Black Trillium Fibres off on my own.
My personal background is as a Seattle-ite. I went to University of Washington, originally for biology and then later for English Literature and Literary Theory. However, when I started dyeing I was very much a stay-at-home mother and had no particular career path I was working toward.

I don’t consider my chemistry background at UW a special experience, and I certainly do not consider myself an artist. Having an active knowledge of Organic Chemistry has helped quite a lot, though, as a dyer. I feel confident in my knowledge of proper uses of dyes to create a finished product that will retain its color and fiber quality over time. What I’ve found most inherently informs my dyeing palette is color theory and the ways that dyes and various chemical influences work together to create certain effects on wool fibers. 

A little Lilt Love in Snapdragon and Iced Teal
What sets me apart color-wise is what makes every dyer’s yarn unique: personality. 
There is so much room in the knitting world for dyers to express ourselves through
color, so as long as quality is there, beautiful colors and textures will always find an

Building a unique hand-dyed yarn from the ground up starts with where you get the yarn substrates. While there are a number of wholesalers in the US, none of them reliably sources superwash wool from within the US. My dyeing process requires superwash wool, which can then be blended (or not) with any number of interesting things and spun, plied and hanked at my specifications. I love the mill I work with because they’re a family owned company going back a number of generations, they’re extremely high quality and very smart in their business practices. They’re also constantly innovating, and while not everything they’re able to do works with my dyeing style, I know they’ll be around to supply my company with consistent yarns well into the future.

My dyeing style is fairly unique, and mathematically oriented. If I create a color I really like and want my stores to be able to reorder, I need to know exactly what went into the colorway and in what order it was applied. My gradient yarns, which are only available via because of their long processing time, are complex math because I want the transitions to be noticeable but logical. I also want there to be as little differences from one gradient batch to another, while also formulating and maintaining original dyestock recipes for each one.

The ultimate difference between buying yarn from myself or other hand dyers like me, and a machine-dyed yarn like Noro or Cascade, is that you’re supporting an individual’s livelihood rather than a manufacturing scheme. The handmade movement that really took up steam in 2009 and spawned the Maker Movement and the popularity of crowdfunding, built platforms such as Etsy and Kickstarter into household words is all about supporting what is good for the community. I work for myself, so what you pay for my yarn goes directly back into my community. I see it as my responsibility to make wise choices with the resources that have come my way, so I try to funnel what I can back into locally based organizations and companies, or to others that support their families in a similar way to mine.

Finding inspiration, choosing colors and naming them feels like a really organic process to me. I’ll often see something and think that it really needs its own color. A perfect example of this is Red Maple – as we were out walking one sunny afternoon the sun was shining right through the leaves on one of the dark red maple trees, and you could clearly see the green right through the red. That experience became a colorway that very evening. I think ultimately that means I’m channeling sources of inspiration from what speaks to me. Staying open in the moment, and being observant are really the two best ways I can think of to describe where my ideas come from.

Just The Facts
I have well over 250 repeatable regulars colors, 55 gradient colors, and a number of other varieties of things that don’t have names. I’ve pretty much lost count on the regulars (things like Hedwig, Nutmeg, Oz, etc) but some I’ve been dyeing since 2009 and they’re just as popular then as they are now.

I try to create several new sets of colors every year, as both a creative exercise and to expand my portfolio. I also work with a number of store owners to create colors for their needs, although I don’t create special order colors for individuals.

I use superwash wool bases, blended with things like silk, nylon and cashmere. All of my yarn substrates come from one mill in South America. My yarns are available on my own website,, as well as about 20 brick and mortar stores from Oregon to New York.

I think of myself as a purple person with a heavy dose of black (see my Black Trillium colorway, that’s pretty much me). However, my stash deviates heavily toward blue. I love wool and silk.

I learned to crochet when I was five, although my Gran didn’t teach me how to read charts. I learned to knit when I was 11, although it didn’t become something I did every day until I was in my late twenties. I’m self-taught in so many things (knitting, dyeing, sewing, music, quilting, wood working, gardening, etc) but spinning really took me for a drive. I had to sit down with an instructor to really get the concepts. I pretty much stink as a spinner, but it is a form of zen you can’t find anywhere else.

Link Up

Most photos ©ReCrochetions, from my visit to Melanie's studio, and yarn for our kits. The first photo is from Black Trillium's Facebook page, and the Rosaline shawl photo is ©RCYC LLC.